Also, this’ll blow your mind too, Doom wasn’t actually 3D. It was a clever trick involving the lack of the ability to look up and down. They used some sort of algorithm (I forget how it works exactly) to turn the 2D walls, doors, and platforms that appear from the top-down view in the map into vertical stacks of lines that “look” like 3D objects in front of you. The sprites are also all just 2D projections overlayed onto the game.
This system introduced all kinds of wierd quirks in the game, like the trippy effect you get when you activate no-clipping and clip through the edge of the map.
Like for instance, monsters and other sprite objects in the original incarnation of the Doom engine have infinite height. So you can’t step on top of, or over, any monsters if e.g. you are on a ledge high above them. That’s because they’re 2D objects, and their vertical position on the screen is largely only cosmetic. This is why you can’t run under a Cacodemon, for instance.
“Actors” (monsters, etc.) in Doom do have defined heights, but presumably for speed purposes the engine ignores this except for a small subset of checks, namely for projectile collision and checking whether a monster can enter a sector or if the ceiling height is too low, and for crush damage.
This was rectified in later versions of the Doom engine as well as most source ports. By the time Heretic came out (which is just chock-a-block full of flying enemies and also allows the player to fly with a powerup) monsters no longer had infinite height.
Most notably perspective only gets calculated on the horizontal axis, vertically there is no perspective projection. Playing the OG graphics with mouse gets trippy fast because of that. Doom doesn’t use much verticality to hide it. Duke Nukem level design uses it more and it’s noticeable but still tolerable. Modern level design with that kind of funk, forget it.
Also, this’ll blow your mind too, Doom wasn’t actually 3D. It was a clever trick involving the lack of the ability to look up and down. They used some sort of algorithm (I forget how it works exactly) to turn the 2D walls, doors, and platforms that appear from the top-down view in the map into vertical stacks of lines that “look” like 3D objects in front of you. The sprites are also all just 2D projections overlayed onto the game.
This system introduced all kinds of wierd quirks in the game, like the trippy effect you get when you activate no-clipping and clip through the edge of the map.
Like for instance, monsters and other sprite objects in the original incarnation of the Doom engine have infinite height. So you can’t step on top of, or over, any monsters if e.g. you are on a ledge high above them. That’s because they’re 2D objects, and their vertical position on the screen is largely only cosmetic. This is why you can’t run under a Cacodemon, for instance.
“Actors” (monsters, etc.) in Doom do have defined heights, but presumably for speed purposes the engine ignores this except for a small subset of checks, namely for projectile collision and checking whether a monster can enter a sector or if the ceiling height is too low, and for crush damage.
This was rectified in later versions of the Doom engine as well as most source ports. By the time Heretic came out (which is just chock-a-block full of flying enemies and also allows the player to fly with a powerup) monsters no longer had infinite height.
Most notably perspective only gets calculated on the horizontal axis, vertically there is no perspective projection. Playing the OG graphics with mouse gets trippy fast because of that. Doom doesn’t use much verticality to hide it. Duke Nukem level design uses it more and it’s noticeable but still tolerable. Modern level design with that kind of funk, forget it.