The Legend of Zelda: The Minish Cap is one of my favorite games of all time. It’s the last isometric Zelda game, and they made it a swan song. The main quest it pretty short, but it’s the sort of cozy game where doing the sidequests just feels right.

In the game, you shrink down to the size of a mouse to traverse rafters and explore tiny temples and float on lillypads. It’s the sort of thing that would be no big deal in a 3D game, but is wildly ambitious in 2D. Not only do they pull it off, but they fill the environments with lush, lived-in detail that springs to life when you shrink down and look at it up close. The art style still sticks with me after 20 years.

Also, forget all the “hey, listen” stuff, your sidekick Ezlo just sasses you the entire time. It’s great.

Playing hardball.

Thanks for the analysis and insight!

I found at least one of the posts, and you’re right, that’s not really what impressed them. It just stuck with me because I’m a hardware girl.

I’d believe it because I remember the same being true for TikTok.

I don’t have the links on me right now, but I remember clearly that when tiktok was new, engineers trying to figure out what data it collected found that the app could recognize when it was being observed, and would “rewite” itself to evade detection.

They noted that they’d never seen this outside of sophisticated malware, and doubted that a social media company had the resources to write such a program.

In hot weather, I use silica gel neck wraps, which slowly release water to keep you cool (if soggy). I really want to try making an equivalent out of sodium sulphate gel and see how it compares.

That’s the only way to offer free services?! What about donation-based models? Maybe Mozilla could have set up something like what Brave has, except not based around a sketchy cryptocurrency.

Please correct me if I’m mistaken, but I thought Brave only gave donatable tokens to users as a reward for watching ads… ads which Brave curated for the user based on their activity. It’s just targeted ad revenue with extra steps.

At first blush, it seems to me that both Brave and Anonym want to be the middleman for targeted advertising. What am I missing?

Solid point. A laptop battery is around 60Wh, and charging that in 1 minute would pull 3.6kW from the outlet, or roughly double what a US residential outlet can deliver.

Supercaps stay pretty cool under high current charging/discharging, but your laptop would have to be the size of a mini fridge.

The research paper itself was only talking about using the tech for wearable electronics, which tend to be tiny. The article probably made the cars-and-phones connection for SEO. Good tech, bad journalism.

Yeah, this matches my experience.

A supercapacitor buffer will cost around twice as much and deliver around 1/10th the watt-hours of a similarly-sized lead acid battery. And lead acid isn’t exactly great to begin with.

Capacitors are useful, but only in applications where the total amount of energy stored is more-or-less unimportant.

Yeah, no. This is not about chargers or batteries or phones or cars. This study is about improved charge/discharge rates for supercapacitors.

Supercaps have very high flow rate, but extremely low capacity. Put them in a phone or a car and it would run very fast for five minutes. Supercaps are useful, don’t get me wrong, but they’re not batteries.

Very cool research from UC Boulder, but the journalism leans way too far into clickbait.

Toyota’s been promising that solid state batteries are just around the corner for about 13 years now. They keep bumping the goalposts back every few years.

So let me get this straight. VW’s US sales (EVs in particular) have failed to meet expectations because people don’t like their overdependence on buggy, outsourced software.

…and VW’s response is to outsource even more software while incorporating a technology base known for being unreliable.

I’m trying out some FOSS games.

Mindustry. I expected Mindustry to be a Factorio clone, but it’s uniquely fast-paced and messy. I find it difficult to tell the buildings apart, though, so I may have to hunt down a graphics mod.

Beyond All Reason. I really enjoyed Planetary Annihilation, so this seems like a natural pick. I’ve barely sunk my teeth into it, but I’m impressed so far.

In addition, while some companies try to blame workwrs for recordable incidents, safety is always ultimately management’s responsibility. Safety controls or procedures missing? That’s management’s fault. Workers disabling safety controls out of malice or hubris? Managment is at fault for hiring them. Workers so overworked and tired they don’t notice mistakes while operating lethal equipment? Management. Workers having to choose between having a job and doing it safely? Management. Lack of safety culture? Management.

With power comes responsibility, and in modern corporations, management has all the power.

I’m an engineer who works in an industrial environment, and I regularly have to repair or reprogram hazardous equipment. Here are a few takeaways I got from the descriptions of the Tesla incident:

• Lockout/tagout was not being respected. If you don’t have a lock, yank the fuse and stick it in your pocket. But whatever you do, when working on a machine, you must maintain exclusive control so nobody activates it while you’re inside the approach boundary.
• Why was the engineer in the approach boundary for a “software update?” I feel like I’m missing some important context there.
• Where were the hazard indicators? A hazardous device needs sound or light indicators, so nobody forgets they left it plugged in.
• Where was the machine guarding? If it can kill you, entering the hazardous area should shut the machine off with or without LOTO. I’m partial to interlocked gates, but cordons and light curtains are popular for a reason.
• If the machine guarding was disabled, where were the observers? The last time I activated a machine with the light curtains overriden, I had three other engineers on standby, one at the E-Stop, one with a rescue hook, and one just to watch.

Windows 11 needs Secure Boot and/or TPM workarounds, and while Linux is better than it used to be, but it still hates peripherals. Only 5% of Americans work in the tech industry. Fry cooks and forklift operators often lack the education needed to find these workarounds, and are too busy and tired making ends meet to seek out that education.

In the modern corporate environment, most companies would rather replace their machines wholesale than risk unplanned downtime due to unforeseen glitches. They apply the principles of preventative maintenance to IT.

I like Linux (Mint is good stuff), and I believe in what it stands for. But the human desire for simplicity, reliability, and familiarity should never be construed as a lack of virtue.

Another way to say it is that every movement needs a carrot, a stick, and an ultimatum. The carrot is evangelizing the injustice (MLK), the stick is direct action (Malcolm X), and the ultimatum is an implicit show of force and dedication that demonstrates how many people will resort to the stick if the carrot is not accepted (the mach on Washington).

While I am nearly always in the peaceful outreach camp, I strongly suspect that my efforts will not see fruition until breathless WSJ editorials start describing environmentalists as “dangerous” and “unamerican.”

Exactly. It’s a niche, but it’s a legitimate niche. I needed a “portable desktop” that could run games as well as Solidworks simulations, and a gaming laptop was perfect for me.

It’s a Samsung Series 7 Gamer, and it’s lasted me 11 years so far (yes, you read that right). If I could go back and do anything differently, I would unplug the battery to preserve it for the rare instances when I actually needed it.

It’s absolutely true that the training process requires downloading and storing images

This is the process I was referring to when I said it makes copies. We’re on the same page there.

I don’t know what the solution to the problem is, and I doubt I’m the right person to propose one. I don’t think copyright law applies here, but I’m certainly not arguing that copyright should be expanded to include the statistical matrices used in LLMs and DPMs. I suppose plagiarism law might apply for copying a specific style, but that’s not the argument I’m trying to make, either.

The argument I’m trying to make is that while it might be true that artificial minds should have the same rights as human minds, the LLMs and DPMs of today absolutely aren’t artificial minds. Allowing them to run amok as if they were is not just unfair to living artists… it could deal irreparable damage to our culture because those LLMs and DPMs of today cannot take up the mantle of the artists they hedge out or pass down their knowledge to the next generation.

It doesn’t change anything you said about copyright law, but current-gen AI is absolutely not “a virtual brain” that creates “art in the same rough and inexact way that we humans do it.” What you are describing is called Artificial General Intelligence, and it simply does not exist yet.

Today’s large language models (like ChatGPT) and diffusion models (like Stable Diffusion) are statistics machines. They copy down a huge amount of example material, process it, and use it to calculate the most statistically probable next word (or pixel), with a little noise thrown in so they don’t make the same thing twice. This is why ChatGPT is so bad at math and Stable Diffusion is so bad at counting fingers – they are not making any rational decisions about what they spit out. They’re not striving to make the correct answer. They’re just producing the most statistically average output given the input.

Current-gen AI isn’t just viewing art, it’s storing a digital copy of it on a hard drive. It doesn’t create, it interpolates. In order to imitate a person’t style, it must make a copy of that person’s work; describing the style in words is insufficient. If human artists (and by extension, art teachers) lose their jobs, AI training sets stagnate, and everything they produce becomes repetitive and derivative.

None of this matters to copyright law, but it matters to how we as a society respond. We do not want art itself to become a lost art.