More than 100 days into the writers strike, fears have kept mounting over the possibility of studios deploying generative artificial intelligence to completely pen scripts. But intellectual property law has long said that copyrights are only granted to works created by humans, and that doesn’t look like it’s changing anytime soon.

A federal judge on Friday upheld a finding from the U.S. Copyright Office that a piece of art created by AI is not open to protection. The ruling was delivered in an order turning down Stephen Thaler’s bid challenging the government’s position refusing to register works made by AI. Copyright law has “never stretched so far” to “protect works generated by new forms of technology operating absent any guiding human hand,” U.S. District Judge Beryl Howell found.

The opinion stressed, “Human authorship is a bedrock requirement.”

The push for protection of works created by AI has been spearheaded by Thaler, chief executive of neural network firm Imagination Engines. In 2018, he listed an AI system, the Creativity Machine, as the sole creator of an artwork called A Recent Entrance to Paradise, which was described as “autonomously created by a computer algorithm running on a machine.” The Copyright Office denied the application on the grounds that “the nexus between the human mind and creative expression” is a crucial element of protection.

Thaler, who listed himself as the owner of the copyright under the work-for-hire doctrine, sued in a lawsuit contesting the denial and the office’s human authorship requirement. He argued that AI should be acknowledged “as an author where it otherwise meets authorship criteria,” with any ownership vesting in the machine’s owner. His complaint argued that the office’s refusal was “arbitrary, capricious, an abuse of discretion and not in accordance with the law” in violation of the Administrative Procedure Act, which provides for judicial review of agency actions. The question presented in the suit was whether a work generated solely by a computer falls under the protection of copyright law.

“In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No,” Howell wrote.

U.S. copyright law, she underscored, “protects only works of human creation” and is “designed to adapt with the times.” There’s been a consistent understanding that human creativity is “at the core of copyrightability, even as that human creativity is channeled through new tools or into new media,” the ruling stated.

While cameras generated a mechanical reproduction of a scene, she explained that it does so only after a human develops a “mental conception” of the photo, which is a product of decisions like where the subject stands, arrangements and lighting, among other choices.

“Human involvement in, and ultimate creative control over, the work at issue was key to the conclusion that the new type of work fell within the bounds of copyright,” Howell wrote.

Various courts have reached the same conclusion. In one of the leading cases on copyright authorship, Burrow-Giles Lithographic Company v. Sarony, the Supreme Court held that there was “no doubt” that protection can be extended to photographs as long as “they are representative of original intellectual conceptions of the author.” The justices exclusively referred to such authors as human, describing them as a class of “persons” and a copyright as the “right of a man to the production of his own genius or intellect.”

In another case, the a federal appeals court said that a photo captured by a monkey can’t be granted a copyright since animals don’t qualify for protection, though the suit was decided on other grounds. Howell cited the ruling in her decision. “Plaintiff can point to no case in which a court has recognized copyright in a work originating with a non-human,” the order, which granted summary judgment in favor of the copyright office, stated.

The judge also explored the purpose of copyright law, which she said is to encourage “human individuals to engage in” creation. Copyrights and patents, she said, were conceived as “forms of property that the government was established to protect, and it was understood that recognizing exclusive rights in that property would further the public good by incentivizing individuals to create and invent.” The ruling continued, “The act of human creation—and how to best encourage human individuals to engage in that creation, and thereby promote science and the useful arts—was thus central to American copyright from its very inception.” Copyright law wasn’t designed to reach non-human actors, Howell said.

The order was delivered as courts weigh the legality of AI companies training their systems on copyrighted works. The suits, filed by artists and artists in California federal court, allege copyright infringement and could result in the firms having to destroy their large language models.

In March, the copyright office affirmed that most works generated by AI aren’t copyrightable but clarified that AI-assisted materials qualify for protection in certain instances. An application for a work created with the help of AI can support a copyright claim if a human “selected or arranged” it in a “sufficiently creative way that the resulting work constitutes an original work of authorship,” it said.

  • Chozo@kbin.social
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    Don’t post the entire article in the OP, please. You’ll end up getting C&D’s sent to your instance admins if publishers keep seeing this, because it’s - ironically enough in this context - copyright infringement.

    Just post a snippet to stay within fair use. Don’t ruin Lemmy for all of us over something so silly.

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    That’s great! It means artists can continue to use AI art for projects they don’t intend to sell, and Hollywood, which already has too much power, still relies on others.

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    Hope: AI gets so good that people using a personal computer can produce full TV series with a single prompt, delare it uncopyrightable, and share the best results online as a alternative to corporate stuff.

    Fear: IP law becomes so disconnected from the current situation that it prompts governments start over from scratch. New IP law is written by the corporations for the corporations, and any form of creativity is restricted and monetized.

    • afraid_of_zombies@lemmy.world
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      It sorta already happens. No one owns the copywrite to vampires hence all the stuff that is only slightly above fanfics becoming big. You are welcome to hate on Twilight but you can’t deny it’s popularity.

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    It looks like the key in the ruling here was that the AI created the work without the participation of a human artist. Thaler tried to let his AI, “The Creativity Machine” register the copyright, and then claim that he owned it under the work for hire clause.

    The case was ridiculous, to be honest. It was clearly designed as an attempt to give corporations building these AI’s the copyrights to the work they generate from stealing the work of thousands of human artists. What’s clever here is that they were also trying to sideline the human operators of AI prompts. If the AI, and not the human prompting it, owns the copyright, then the company that owns that AI owns the copyright - even if the human operator doesn’t work for them.

    You can see how open this interpretation would be to abuse by corporate owners of AI, and why Thaler brought the case, which was clearly designed to set a precedent that would allow any media company with an AI to cut out human content creators entirely.

    The ruling is excellent, and I’m glad Judge Howell saw the nuances and the long term effects of her decision. I was particularly happy to see this part:

    In March, the copyright office affirmed that most works generated by AI aren’t copyrightable but clarified that AI-assisted materials qualify for protection in certain instances. An application for a work created with the help of AI can support a copyright claim if a human “selected or arranged” it in a “sufficiently creative way that the resulting work constitutes an original work of authorship,” it said.

    This protects a wide swath of artists who are doing incredible AI assisted work, without granting media companies a stranglehold on the output of the new technology.

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      I wonder could you interpret this as AI created movie script isn’t copyrightable but the actual filmed movie is. That would invite some weird competition, like we’ve seen over the years with the copycat movies.

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        I wonder could you interpret this as AI created movie script isn’t copyrightable

        This first but I don’t think that is how it can be interpreted like that. Looks like it comes down to how much human input was used to guide the AI in the works. The more the human guided the AI the more they have a claim to the copyright is how I read that. Not just all AI content cannot be copyrighted. Which IMO seems like a fair way to apply copyright to AI generated content.

        The latter part is basically already handled - look at any film created from a public domain works, Shakespeare plays being a big example here. I would expect non-collectable AI works adapted to film to to be handled the same way. Though I suspect that to create any good movie script with AI you would need significant human input which could lean towards to script having a stronger copyright claim by those that guided the AI.

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        Yes , but let’s say Marvel writes the next Avengers movie with AI. Somebody else could come along and make their version of it. They’d need their own characters though, because those are copyrighted by marvel comics.

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      they generate from stealing the work of thousands of human artists.

      Has this been litigated yet?

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      Wait, he didn’t just try to claim copyright over AI created material… he tried to claim the AI could copyright it?

      Lol. Lmao, even.

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    This doesn’t mean artists or movie studios can’t make AI creations and sell them. It just means they can’t stop people from copying and distributing them.

    If a well regarded artist uses generative AI to make art, then prints a single copy or a limited edition and signs them, they can sell them. Other people can copy it, but it won’t be the same. They won’t have the same value as the ones the artist produced, and they won’t be signed.

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      The hollywood model is based on ownership of IP. Can you imagine if “Stranger things” was AI generated by Netflix, had a hit first season, then Disney released a second season with new actors? Meanwhile, CBS premieres “Stranger things : Miami?”

      It would be a mess and put their entire business model into a tailspin.

      This ruling may be the biggest bouy the writers have gotten so far in their strike.

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        I think that in this scenario, Netflix could hold copyright over the idea and characters. Only the script would be out of reach. Lawyers would ensure that they hold onto the right bits to prevent this scenario.

        If I asked AI to write a story for a child, the whole thing is up for grabs. If I give it characters with specific traits and a story arc, that would still be mine. Only what the AI filled in wouldn’t be protected.

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          And I’m sure that the government would grant copyright on the human-generated inputs to an imitative large language model so-called “AI.” Not sure it would be worth anything, though.

          Hell, I would bet that one might be able to copyright the database that was fed to an LLM, as long as it was independently generated & created by a human and not just a hoovering of a bunch of other authors’ works.

          The courts have this right, for sure. Presumably we can’t copyright the answer that comes out of a calculator when we hit the “=” button. But we can copyright all the formula manipulation and original thought that went into deciding which keys to press on the calculator, and possibly even the action of pressing the keys? Not sure on that last bit.

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            The “creation” is algorithmic, and just like the calculator’s output that cannot be copyrighted. That’s based on “facts” of the universe, not “creation.”

            Is saying “i want a long form show about 80s teenagers in a small town, one of which has psychic powers, with an overarching dark force that opposes them” really going to be “creative” enough to protect a tv series worth of output?

            I think that falls apart in the same way that setting up a security camera once and then walking away doesnt give you permanent copyright over whatever it captures. There isn’t enough humanity in the creation to count it as “uniquely human.” The court seems to agree.

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          Holmes is very episodic by nature, which lends itself well to this structure. Even the ones that aim for an overaching story lean heavily into the “mystery of the week” for story structure.

          It probally would work for things like the above, but can you honestly see long form shows working in the same way?

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        People could pay the studios that made the version of the show they wanted most. Instead of having no choice but to buy from whoever paid the most in the collectable copyright trading card game.

        Maybe I want the “Tron 3” Dreamworks would make, instead of Disney.

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      I believe this is wrong. They can’t copyright an AI-generated script, but the performance and film based on a script is copyrightable.

      Think about this: can you copy and sell the Leonardo and Claire Danes Romeo and Juliet because Shakespeare’s work is in the public domain? No. You cannot.

    • Zeshade@lemmy.world
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      Can they copy the artist’s ai generated art including the signature and sell that?

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      Actually, it has nothing to do with human creators at all. It means that AI can’t hold a copyright. But the person who wrote the article would have to actually be able to comprehend court documents to understand that, so here we are.

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        From the opinion:

        On the record designed by plaintiff from the outset of his application for copyright registration, this case presents only the question of whether a work generated autonomously by a computer system is eligible for copyright. In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No.

        Given that the work at issue did not give rise to a valid copyright upon its creation, plaintiff’s myriad theories for how ownership of such a copyright could have passed to him need not be further addressed. Common law doctrines of property transfer cannot be implicated where no property right exists to transfer in the first instance. The work-for-hire provisions of the Copyright Act, too, presuppose that an interest exists to be claimed. … Here, the image autonomously generated by plaintiff’s computer system was never eligible for copyright, so none of the doctrines invoked by plaintiff conjure up a copyright over which ownership may be claimed.

        The irony is palpable.

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    couldn’t help but lol at this quote:

    US copyright law is designed to adapt to the times.

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    Hollywood will just do what they always do. Pour billions more into lobbying the government until they pass something that will allow certain exemptions.

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    As a person who creates both visual arts and music, though admittedly for my own enjoyment alone, I can’t bring myself to ever recognize any of the AI generated stuff as Art. None of it is any good if you look at it close. It’s wrong in every way. The machines were supposed to come for our jobs, but that was supposed to mean factory production and construction and shit.

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      It’s not about being technically good or not for me, it’s a question of expression. A human can express internal thoughts and feelings. An AI, at least the ones we currently have, can only do an awkward imitation. There’s no intention or awareness.

    • Sethayy@sh.itjust.works
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      Unfortunately at worst the machine will only improve to the point where it is unnoticable.

      Its a program designed exactly to be bullied into place by humans, were just only halfway through the bullying and still coorp’s are pushing it like its done.

      Eventually it’ll have to be accepted as just another tool by artists.

      That being said I support copyright less than I do “AI rights” so I’d say this is an overall win

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      If you think art is at all dependent on each individual recognizing it as good, then I think you’ve completely missed the point of a lot of art. Most art only appeals to some.

      • TopShelfVanilla@sh.itjust.works
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        When I make art I make it for myself. I have no interest whatever if it anyone else feels one way about it. I talked with the robots. I didn’t like it. Felt dirty, cheap.

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      As someone who creates a variety of art in pretty much any medium I find AI art to be something deep and subconscious in us. It taps into something we can’t reach unless on mind altering drugs. I find it to be an amazing study of the human psyche. I have never been able to connect to most “art” especially any of the classical stuff, as well as most music. While people enjoy and even request certain pieces of art from me, all but sculpting leaves me disconnected from my work because what I visualize and what create aren’t thr same. AI art has that missing piece.

    • nandeEbisu@lemmy.world
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      So, as someone who doesn’t do visual art, mainly writing and music as hobbies, my opinion is if there is intent, ie from the prompt or there editorial process of tweaking the model, then there is at last an attempt by a human to convey a message through the piece.

      Whether or not it has good composition, or achieves something that resonates with a human viewer is valid criticism, but I think irrelevant as to whether or not it is art or a piece of creative expression. If someone has bad technique and can’t really get their idea across well in a painting, is it no longer art? Is a painting made during a paint and sip where you’re coached through the painting not art because there is no intent? These are more to gauge what you mean by art than as gotcha questions.

      • skrttskrtt911@sh.itjust.works
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        I would disagree that a prompt is sufficient to express human intent, specifically in writing. How many stories can you list that don’t follow the heroes journey vs the ones that do? The most important part of any writing is not the setting and overarching narrative, it’s the small choices the author made all along the way that make it truly human. AI can parrot those choices, but a human can’t get an AI to make truly new unique decisions with any amount of prompting.

        On the subject of tweaking the model, that’s not really how AI models work. Users don’t edit the model and keep the prompt the same to try to get different outputs. The only interface exposed to users is the input.

          • skrttskrtt911@sh.itjust.works
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            I’m talking about how the story is written. You literally can’t define all of those choices in a prompt, it’s a continuous series of many many choices all throughout the story

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              Many/most of those small choices have no artistic value - it doesn’t matter if you choose to use “because” or “since” for example.

              Providing critical artistic choices while letting AI to make the rest of simple dumb choices (like the example above) is IMHO still creating art.

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      Most of what people generate with AI is shit because the people using it have no idea about art. When an actual artist picks up those tools you get quite different results.

      The neat thing is that it doesn’t really matter what kind of artist you are. You don’t need to be a painter, a sculptor has just as trained eyes yet can prompt an oil painting. Heck I’d bet random musicians get significantly better results than the general population.

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      If you had spent just a few minutes thinking about it, you’d have realised email jobs and creative jobs would be first on the automation chopping block.

      A secretary used to schedule events and write invitations manually, now you have calendly and ChatGPT.

      You used to need an HR professional to onboard new employees, now you can use on-demand courses through any of the million LMSs that exist.

      Oh and there are already AI generative tools for those kinds of online courses.

      Meanwhile, even the best robots move like geriatrics. We’re 100 years away from a robot that could do all that a construction worker does.

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        I work for a company that is automating the onboarding process even more. You type in the name of the person being on boarded and it creates the software licenses, training programs, usernames, passwords, everything, including checklists, reminders, deadlines and recurring events and renewals, with AI language models picking whether the new hire is in marketing or sales or supply chain etc

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    This doesn’t change much because of a simple difference: This was an AI product put in wholesale.

    There was no human intervention in (visually) creating this product, thus no human can claim copyright.

    Studios aren’t gonna do this when replacing some of their writers, because AI may not be good enough yet. Instead, it’ll be a smaller team, they’ll do the edits, and they can claim copyright.

    This only really matters If AI advances to the point where we can completely create a full movie or TV show from scratch with just purely prompting, which, currently, we can not.

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          Having tried to do something similar, “Nothing, Forever” must have some pretty serious coding to engineer the prompts and reconstruct tiny snippets of AI generated dialogue into a full meaningful script. I wonder if that’s enough for the creators to claim copyright.

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      That’s what I see likely. Writers will eventually use this as a tool. Say setup a scene and generate 40 versions. Pick the best one, edit it, feed back what you improved, generate another 40…

      We are still reading Shakespeare and I think part of the reason was how he wrote those plays.

      Write the scene, pass to actors, actors have notes, rewrite scene, pass to actors, have actors act out scenes, make changes, run changes by actors, rewrite scene, perform scene, watch audiences (are they laughing at the jokes? Are they sad when they are supposed to be sad?), make edits,…

      He did it like a collaborative activity and gradual refinement. Almost none of his plays have an official indisputable version, instead we have multiple versions with slight differences.

      Stop worrying about your jobs writers, this is a tool. Use it.

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        It’s only a tool for lazy, shot by, hack writers. Like the writers for Big Bang or any kids show by Disney.

        Why would a real writer need AI to steal words from others? Do you think Neil Gaimon needs help from a shitty program to write? Or any other high caliber writer? No. Because AI is for untalented artists and writers. They are the ones getting terrified that it might replace them.

        Which speaks to their skillsets.

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      The thing is there was uncountable amout of people intervention. AI art is derivative work achieved via mathematical means.

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        Not in the copyright sense.

        Yes, there were millions of people’s work that was in the training data that was used to make whatever AI program created those AI images, but (at least right now) that isn’t considered for legal ownership.

        The US Copyright Office is taking the stance that there must be human effort that can be seen/pointed to in the final product directly in order to count as an “Author”.

        Think about that guy with the monkey taking a photo, and how that got into the public domain. Just because the company selling the camera “created the camera used to take the photo” (made the AI model) or because someone using the camera “set their own settings for the photo to be its best quality” (typed in a proper prompt for the model) doesn’t mean that either party “owns” that image.

        That whole paradigm could maybe change if/when AI LLM programs get seriously regulated, but even so, I personally don’t think that changes the chain of ownership, nor should it.

      • Pr0phet@lemmy.world
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        By that logic, all human art is derivative work achieved via biological means. No artist works in a vacuum. Everything an artist sees subtly influences their style.

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    seems a pretty easy solution here. just say you’ve written it… no reliable software exists for proving text is AI generated.

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    Talk about an inaccurate headline. The conclusion here isn’t that AI art can’t be copyrighted, it’s that AI cannot be a copyright holder. But it’s AI, so we can’t actually expect anyone to pull their head out of their ass and give it enough thought to write an article that isn’t garbage.

    Instead we have yet another thread about this case in which no one actually has any idea what the ruling was. Very informative.

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      From the opinion;

      Both parties have now moved for summary judgment, which motions present the sole issue of whether a work generated entirely by an artificial system absent human involvement should be eligible for copyright. See Pl.’s Mot. Summ. J. (Pl.’s Mot.”), ECF No. 16; Defs.’ Cross-Mot. Summ. J. (“Defs.’ Mot.”), ECF No. 17. For the reasons explained below, defendants are correct that human authorship is an essential part of a valid copyright claim, and therefore plaintiff’s pending motion for summary judgment is denied and defendants’ pending cross-motion for summary judgment is granted.

      AI being the copyright holder was never even in question. Some guy tried to register AI art in his company’s name, using the AI as the author of a work for hire. The Court found that he couldn’t get the copyright as a work for hire since no copyright existed in the first place.

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    1 year ago

    So, if I use AI, then tweak it in photoshop, is us human created and now able to be copyrighted?

    • Zeth0s@lemmy.world
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      1 year ago

      Basically it’s how already works with cameras. Subjects and composition are enough to copyright images. Even without post-processing

  • 8BitRoadTrip@lemm.ee
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    1 year ago

    Interesting that he filed the original copyright application as a work for hire situation. I guarantee he didn’t pay AI anything .

    • Deiv@lemmy.ca
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      1 year ago

      Yea, I spoke to Al. The dudes pissed, didn’t get paid shit