Often, in discussions about old movies, someone will say, “That movie couldn’t be made today.”, and inevitably someone else will disagree.
Often, in discussions about old movies, someone will say, “That movie couldn’t be made today.”, and inevitably someone else will disagree.
Jurassic Park, Terminator 2, TMNT ‘89, Lord of the Rings.
Whatever the JP franchise is now, it will never go back to full scale animatronics, and without Stan Winston’s magic, it’ll never be quite what the first (and a bit of the second) were.
Cameron himself can’t recreate the magic of T2 even if his films make billions. He never risks having to “nail this in one shot” stunts.
As for TMNT. Nobody gives a shit they’re suits, we could suspend our disbelief and watched mindblowing performances by great stuntmen in some of the most advanced animatronics ever. Michael Bay can’t even fathom how much better that is.
The Hobbit was plagued by a lot of problems, but I don’t know if even Jackson could pull off the practical effects with digital overlay magic that was the first trilogy if he tried.
That era of Hollywood, practical first, digital to enhance (sparingly) is gone it seems. It’s sad Hollywood has forgotten that that boundary pushing era was what made those films iconic. Rexy had weight, she literally tore a car apart. You can see the chaos of the semi landing in the canal. The turtles hit. The Riders of Théoden truly rode for ruin. Tell me you don’t get giddy when you know that scene is about to hit.
Project Hail Mary was practical first. Real sets, real puppet, with digital enhancements. There is a scene that was filmed with loads of LEDs on wires to cover the shot in blinking red lights. I think it pays off hugely and the film is better for it all.
At the moment I think it’s an outlier and most films will continue to just film green screens and tennis balls but it might herald the return of practical, maybe even full-scale animatronics! I can only hope.
I hope that film wins awards, genuinly good sci-fi made by people who understand movies and dont just fix it in post. It fealt real, the sinple trick of not having sound if the camera is not in a place with atmosphere is one of the most important little details. 2001 gets it right, Firefly gets it right, but if you can hear lazers in space, your just bring a wizard in 0g.
In the sequel of The Thing they first used animatronics and later replaced them with CG. I’m still angry about what could have been an awesome movie. With CG it looks just bad.
You know I was just thinking about this the other day. Netflix will put out their standard 10 hour “epic” and the world still manages to feel a tenth the size, and there will be a tenth of the action as any one of the three hour LOTR movies. It really makes me appreciate just how masterful those movies were, and how every artistic license they took with the original material feels more than justified.
Who is JP? Why is everyone throwing letters around assuming everyone else will understand.