I don’t get it. Her music is sometimes catchy but otherwise unremarkable, from the songs I’ve heard. How does she break all these records and accumulate so much fame and wealth?
She’s pretty, but a lot of singer songwriters are, especially those with makeup and costume people, a support staff.
Is there something else to her that people like?
I’m confused about what makes her so apparently unique or phenomenal.
Update: there are so many things that make swift unique or phenomenal.
I’ve received tons of great answers from people that have helped me understand, like piecing together a jigsaw puzzle, many factors that makes swift different and consequently more successful than her peers.
Clever lyrics, top-tier production, sharing autobiographical and emotional points in her life very directly, apparent honesty with few or no public blemishes, creating a community of fans through Easter eggs and house parties and unconventional, but always personal methods, an early start supported by wealthy parents, she keeps winning against abusers, and her music itself is popular and fun.
Those are just a few of the puzzle pieces contributed here, and a dive into this post is a pretty good explanation of many of the factors that must be contributing to her phenomenal success and recognition, that set her apart from other pop stars, even pop stars who were phenoms in their own right.
This is a very educational post, thank you to everyone who has contributed.
I used to dislike Taylor Swift along with all other contemporary pop stars. Maybe even a little bit more, because she had the audacity to call herself Country: Spitting in the face of personal heroes like Kristofferson, Nelson, and Cash.
Then I stopped being an edgy teenager, Swift released Shake it Off, and I had to recognize it was a fun song to dance to. In an ironic kind of way of course, but nevertheless.
And then, in 2015, Ryan Adams released his cover album of Swift’s 1989, playing every single song on the album in a folksy way. I dug it. And with it, I had to appreciate that Taylor Swift is one hell of a songwriter: I loved the songs, I just don’t love the sound of pop music all that much. That’s personal taste, not everything I dislike is bad.
Then Ryan Adams fell from grace with metoo, so fuck him. At least it triggered Father John Misty to publish (and later remove) his legendary covers of Swift in the style of the Velvet Underground.
Fast forward to 2020, and Taylor Swift dabbles with music I can actually enjoy listening to with her album folklore. Pretty cool. I actually got my expectations up for her next album, evermore, low-key hoping that it would be musically inspired by the Battle of Evermore. Sadly I was wrong, but again, it’s a matter of personal preferences.
What matters more is the fact that she’s reinventing herself from album to album - she’s successful in one formula, and she just ditches it and moves on to something different. And every time she does it, she seems to be even more successful than the last time. Her growth as an artist is astonishing.
Finally, she’s just cool. Fuck the labels - she’ll just casually re-records her entire discography in order to take back control of her songs. She’s caught up in all kinds of stupid celebrity drama, but it tends to be the rest of the industry falling over like toddlers trying to drag her into shit for PR while she acts like the only adult in the room. She also scores points for casually hanging out with Billy Bragg and encouraging people to vote and shit.
Swift was hardly the downfall of country; the amount of autotuned trash from both sexes now is off the charts. I can’t make myself listen to a country channel for the rare genuine song because I start to rage at the horrid garbage they play the rest of the time.
It’s probably hard to pin it on anyone in particular - the Grand Ole Opry had their heads up their asses long before country music started sucking for real. I guess outlaw country defined itself by not following the rules of the Nashville scene.
I’ve never been to the US, so the closest thing I came to an American country channel was some cassette recordings my dad made in the 80s and that we kept listening to in the car. Obviously learning about contemporary country music was a shock for me once I started spending too much time online.
I’m fine with pop, there are plenty of pop songs I’ve liked, and I can recognize how since of her songs are fun, I’m curious why she receives dozens of rewards.
Your point about successful in one formula, and then ditches it and moved on to something different
Do you think that happens with every album, or is there a specific example you’re thinking about?
Oh I want to add, it’s definitely very cool to re-record your discography.
So I’m not exactly an expert, I just have some friends who are Swifties and I enjoy sometimes hearing people out about what they’re interested in over a beer. But I’ll give a shot at answering based on my limited knowledge.
I don’t think Swift makes a point out of reinventing herself every time. I guess she had her country phase until Red in 2012 (We Are Never Ever Getting Back Together), and perfected pop in 2014 with 1989 and Shake it Off, Blank Space and all that. The following two albums I know nothing about, but Wikipedia lists them as electropop. And then she completely changes her sound in 2020 with folklore, suddenly being more folksy and reaching an audience of middle aged male music reviewers who had previously not shown any interest in her music. Somehow the fans of her older albums loved it as well, so her fan-base only expanded.
Evermore is kind of a continuation of folklore. I find it to be a little bit more poppy at times, but it’s not a huge change of direction, and kind of builds on the same universe (low-key and lower-key). Midnights however, which is her final album to date, is again something completely different: A full blown concept album, and musically again a complete change of direction. A Swiftie friend of mine said she had to give it a couple of spins before she got into it, but that it’s now one of her favourites. As a prog rock fan, that sounds about right to me for a concept album.
Personally I started listening to Midnights for the first time ever while writing this post, and I gotta say the opening tune Lavender Haze has some fun things going on in it. The music is interesting, the songwriting is original, and she’s a talented performer with a likeable persona. I’m not very surprised she receives her awards.
#taylorswift
Okay, that’s pretty interesting. I don’t believe you that you are not a swifty, not even at all, but I really appreciate your input because I think it touched on a lot of important things.
I also love just listening to people explain their passion to me over a beer, and I’ve had a couple while this thread has been building, and I’m having a great time trying to understand this phenomenon.
I also want to say that I keep watching or listening to every song that someone has mentioned in the comments so that I can see from their perspective what they’re talking about, and I’m more cinema oriented than music oriented, and she is incredibly talented at the"hidden" glances and whoever her producers and editors are on every music video I’ve seen are just killing it making her appear charming, which cannot be a small part of her appeal.
Okay, I’m going to go listen to this folklore album you’re talking about now and trying to figure out what’s going on there also.
Appreciated, thanks. So this one’s called evermore no wait what f*** Wait folklores the