The carnage extended to other titles, but ‘The Wild Robot’ and ‘Beetlejuice Beetlejuice’ remain strong.

  • EpeeGnome@lemm.ee
    link
    fedilink
    English
    arrow-up
    56
    ·
    9 days ago

    The whole point of making a costly sequel is it can’t be a total disaster. If nothing else, “Joker: Folie à Deux” proved that is not the case.

    Well, if studios can accept that sequels and remakes actually aren’t immune from being flops, maybe they will be more open to considering new ideas? I won’t get my hopes up, but it’s a nice thought.

    • HobbitFoot @thelemmy.club
      link
      fedilink
      English
      arrow-up
      29
      ·
      9 days ago

      Technically, the sequel was an attempt to innovate. Who would think to make a jukebox musical for comic book nerds?

      And not even like having a good soundtrack like GotG, but Sucker Punch but they replaced the fight scenes with full on musical numbers.

    • bcgm3@lemmy.world
      link
      fedilink
      English
      arrow-up
      23
      ·
      9 days ago

      Seems more likely to push them to make even safer financial decisions, like re-releasing the movies that performed well earlier in the year, or pushing out AI video generator content.

    • Dagwood222@lemm.ee
      link
      fedilink
      English
      arrow-up
      11
      ·
      9 days ago

      “Batman and Robin” has entered the chat.

      I can think of a dozen successful science fiction novels that have been in publication as long, or longer than ‘Dune.’ Same thing with mystery series like Kinsey Malone [A is For Alibi] Any of them would have a built in audoence, but the execs will fo with something that’s been tried fifty times before because it’s got a track record.

      • Rhaedas@fedia.io
        link
        fedilink
        arrow-up
        11
        ·
        9 days ago

        “John Carter” wasn’t a perfect movie, but it was a fun ride and failed mostly to bad marketing. I would have loved to see more.

        • Dagwood222@lemm.ee
          link
          fedilink
          English
          arrow-up
          4
          arrow-down
          2
          ·
          9 days ago

          I noped out after the first ten minutes.

          Here’s a really good one that died at the box office. “The Rhythm Section” with Blake Lively. It had the bad luck to come out in early 2020, right when everything shut down.

          It takes all the ‘revenge on terrorist’ tropes and upends them.

  • corvi@lemm.ee
    link
    fedilink
    English
    arrow-up
    28
    arrow-down
    1
    ·
    9 days ago

    Really enjoyed Joker. Didn’t have any desire for a sequel. I feel like this was kinda destined to fail.

      • njm1314@lemmy.world
        link
        fedilink
        English
        arrow-up
        7
        ·
        9 days ago

        I’m just shocked to learn it was a musical. I’ve only heard that like within the last 48 hours here on Lemmy. I saw so many ads for this movie and not one of them even suggested there was singing in it.

        • DarkThoughts@fedia.io
          link
          fedilink
          arrow-up
          1
          arrow-down
          1
          ·
          8 days ago

          I’ve heard that pretty early on when it was being announced, which immediately turned me off unfortunately. The first movie was great though.

          • falidorn@lemmy.world
            link
            fedilink
            English
            arrow-up
            10
            arrow-down
            6
            ·
            9 days ago

            Must be a sad world to live in to not watch The Blues Brothers, Men in Tights, Willy Wonka, or Whiplash.

            • jpreston2005@lemmy.world
              link
              fedilink
              English
              arrow-up
              1
              ·
              8 days ago

              Comedic musical numbers fit well within comedy movies, but doing a drama with musical numbers is antithetical. The singing breaks the fourth wall too much, completely interrupting your suspension of disbelief. It’s impossible to take dramatic things seriously when they’re singing and dancing to/about it. You can break the fourth wall in comedies with music, because nobody watching is taking it seriously enough to think that the movie with the boner jokes can’t have a bit of musical parody.