I figure that the Swiss Army knife my dad got me for Boy Scouts is really up there. Self explanatory why I suppose.

I often agree with this, though for Death Trash given the slow pace of major updates I figured I’d just jump in. It only took me about 10 hours to beat the main content, and a few more hours poking around to feel finished with the game. This isn’t something like Zomboid with a big sandbox element to sink hours and hours into.

Honestly, at the pace it’s being updated I don’t know if it will get a huge proper ending.

In 2026 the Neo robot, the figure 3 and the Tesla bot are going mainstream in countries like America and I’m pretty sure other western countries.

I am skeptical. The Neo robot is basically a Mechanical Turk with extra steps.

I can’t prove it but the Figure 3 gives me even more vaporware flags.

As for the Tesla bot, it’s the least scammy of the bunch, but this is on the “we promise to put robots in your house in 2026” scale. It wouldn’t be the first time Tesla overset expectations.

None of these companies are straightforwardly showing extended, unedited footage of these robots operating in full AI mode in an uncontrolled realworld environment for a reason.

Humanoid household robots are the new (edit: I suppose not new, but resurging) fascination, but they are dumb. If someone wants to automate away chores it’s going to be by increasing smarthome capabilities and integration, and/or by having improved standalone robots and automation, like roombas, if they aren’t going all in on integrated smarthome tech. Success in automation will be with specific use robots and pieces of automation, ideally working together, not a Cylon lumbering around.

I’ll never get past the Dangerous Hunts games since some management somewhere at Cabela’s had to approve a hunting game with deep lore about a literal shapeshifting demon and chimpanzee supersoldiers.

In Wasteland 2 there is a museum of pre-war artifacts. One item is an undetonated nuclear bomb. If you monkey around with it you can find a big red button. It is obviously a terrible idea to push the button. If you still decide to push it you get a special game over screen.

And then it goes into a sewer.

I blame the Tylenol.

I noticed you haven’t mentioned the actual quality of the content. Is it a responsibility to give money to a medium simply because it takes payment instead of using ad revenue?

The competition for what’s in those magazines is with independent online reviewers.

The idea of ranking games on a numerical scale is inherently flawed. I suspect many publications still use it as a way to make nice with game publishers. Text that’s lukewarm can slap a 9/10 score on and a lot of people just jump over the review to the “objective” score.

I feel it’s important

Genuinely, why?

Not all YouTubers are quality. This is obvious. What I am saying is that I’ve found a mere handful who are quality and for my tastes they have replaced the entire legacy professional gaming journalistic media. Other people I’m sure can find similar YouTubers who cater to their tastes and opinions.

That might be exactly part of why gaming journalism is irrelevant.

If the “news” about an upcoming game is just repeating developer hype, then it’s just useless noise. At that point the only thing that matters are reviews, and independent YouTubers are beating the professionals in quality and trustworthiness.

So what’s left? Actual dry industry news? I suppose some small amount of people care, but not enough to support the amount of gaming journalists out there.

click- and rage-bait headlines on Facebook over quality journalism

Gaming journalism has been overrun with that.

What I, and I think many people, want are trustworthy, knowledgable reviews.

I can’t trust any of the major publications. I trust a small handful of YouTubers who are giving me more of what I want than the entire professional industry.

Back in the late 90s-early 2000s the PCGamer magazine was actually worthwhile. It had reviewers who specialized in different genres and if read enough you could get a feel for their writing style and critical voice. The fact it was a monthly publication meant they weren’t racing to get a review out in the first 24 hours.

Nowadays it all seems like publications race to put reviews out online for relevance, and the reviewers often seem to have a disdain for video games and even if they don’t they aren’t genre experts.

I don’t like fighting games. My review of a fighting game would be trash. Yet major publications just pump out reviews by whoever.

Individual youtubers at least can develop a recognizable critical voice and stick more to genres they know and enjoy.

The entire industry was flooded with mouthpieces for developer statements, and opinion piece hottakes. How many of those people does an industry really need? (Or more importantly: How many of those people can it financially support?)

As for reviews, they are for the most part similarly worthless and hard to trust. There’s about five YouTubers who I actually trust the opinions of, and I haven’t felt left out at all with that as the extent of my gaming journalism intake.

I can’t be certain, but I suspect a lot of gamers are completely burnt out on the professional gaming journalism industry.

The case is about overturning an existing restriction, not adding new ones.

This case is not about imposing new restrictions.

Weed is already prohibited. The case is about overturning that.

I wish people would read the articles. Weed is already Federally prohibited. The case is an attempt to overturn that.

The case is not about implementing new gun control, but looking at if an aspect of existing control is unconstitutional.