Ludwig Boltzmann, who spent much of his life studying statistical mechanics, died in 1906, by his own hand. Paul Ehrenfest, carrying on the work, died similarly in 1933. Now it is our turn to study statistical mechanics.

David Goodstein, in the opening of his Thermodynamics and Statistical Mechanics textbook “States of Matter.”

Ludwig Boltzmann, who spent much of his life studying statistical mechanics, died in 1906, by his own hand. Paul Ehrenfest, carrying on his work, died similarly in 1933. Now it is our turn to study statistical mechanics.

It was a bright cold day in April, and the clocks were striking thirteen.

1984

The clocks striking 13 times immediately makes something feel off

The building was on fire, and this time it was not my fault.

Here’s an obscure one from See you next Pluterday:

Sam was scratching desperately at the crumbling edge of the abyss. With fear he felt the cramp slowly, but surely, reaching his fingertips. He fell… And…To be quite honest, Sam was not hanging at all above an abyss. And there was no cramp at all in his fingertips. For miles around there wasn’t even a trace of an abyss at whose edge one could scratch in despair. But recently I met with a publisher who confided to me that in judging a manuscript he only glanced at the first sentence. He mustbe on tenterhooks by now.

Let’s go with something more somber.

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.

-Lolita by Nabokov

It’s not strictly the opening, because it comes after a fake foreword presenting this, the main text, as a true crime story, written by the criminal himself. It sets the mood quite effectively. These sentences are the equivalent of drawing hearts around the name of your crush. And while the writer is shown to obsess over Lolita, he is only concerned with his own person. His victim is only presented as something within him (poignantly his loins and mouth) and not as a person separate from and outside of him.

And mind: AI could not come up with something like that: No tongue or lips.

it hits differently these days, but: “The sky above the port was the color of a television, tuned to a dead channel” -William Gibson, Neuromancer

I just started reading “The giant squid” by Fabio Genovesi and I really loved the opening. I couldn’t find the official English translation, so here’s the original and my rough translation:

Del mare non sappiamo nulla. Nulla di nulla, eppure il mare è quasi tutto. All’inizio c’era solo lui, poi ha concesso un po’ di spazio secco e polveroso alla terraferma, e noi subito superbi a dire che il centro del mondo è New York o Pechino, come una volta Babilonia, Atene, Roma, Parigi… invece il centro del mondo è il mare.

We know nothing about the ocean. Nothing at all, and yet the ocean is almost everything. In the beginning there was only the ocean, then it gave a little space - dry and dusty - to the lands, and we immediately haughtily proclaimed that the center of the world is New York or Beijing, like we once did with Babylonia, Athens, Rome or Paris. But instead the center of the world is the ocean.

“It is important, when killing a nun, to ensure that you bring an army of sufficient size. For Sister Thorn of the Sweet Mercy convent Lano Tacsis brought two hundred men.”

• Red Sister, Mark Lawrence.

Good book if you want something a bit like Harry Potter but aimed at a more mature audience and not funding the stripping away of human rights.

I did two things on my seventy-fifth birthday. First, I visited my wife’s grave. Then, I joined the army.

• John Scalzi, Old Man’s War

The terror, which would not end for another twenty-eight years - if it ever did end - began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.

• It, by Stephen King.

Now consider the tortoise and the eagle.

The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat.

And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger.

And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go.

Terry Pratchett - Small Gods

My favorite opening lines that I didn’t see yet are:

Kafka’s “Metamorphosis”

“When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed”

Tolstoy’s “Anna Karenina”

“Happy families are all alike; every unhappy family is unhappy in its own way.”

And, Gibson’s “Neuromancer”

“The sky above the port was the color of television, tuned to a dead channel.”

I was going to post Neuromancer too, but everyone posted that.

We were somewhere around Barstow, on the edge of the desert, when the drugs, began to take hold.

Fear and loathing in las vegas

The building was on fire, and it wasn’t my fault.

Blood Rites, book 6 of The Dresden Files